The project is lead by Kjell Yngve Petersen and Karin Søndergaard and is one out of a series of experimental artistic initiatives under BOXIGANGA PERFORMANCE THEATER.

Telematic Performance II & III has received funding from i.a. Kunststyrelsen.

Links:
# www.boxiganga.dk

 
   
ABOUT THEE PERFORMANCES
BOXIGANGA PERFORMANCE TEATER
TELEMATIC PERFORMANCE LAB
- stage art laboratories

February 11 - 27, 2005
In the crossfire of art and academics Boxianga explores the meeting of stage art and telematic technology. Telematic Performance Lab is an examination of human perception and interpersonal relations as they develop in telematic constructions. Utilizing telematic systems, the team creates 5 scenic spaces as reflexive installations based in the exploratory traditions of stage art. Within these scenic spaces new models of understanding and perception arise.

In these five scenic installations filling Kanonhallen's theater, participants are exposed to the staging of themselves and their surroundings. They become the main characters in the performance of their own experiences. With this situationalisation of the participants as the constructors of their own experience questions arise such as: What are we when we perform theatrically for each other? How do we examine and experience our relation to one another?

The installations include cameras, projectors and computers. The camera films people, and its projections create a background as well as a other worlds in the labyrinth of scenography. Patterns of real-time-flow arise when visual perception is transmitted from camera to computer and on to video projection as movement of realities with jumps in time, place and points of view.

The performance stage and the scenic installations reflect that the world today is composed of a complex blend of media. The installations allow the participants to rediscover the senses point of origin - the body and the meeting between people and their perception of, and experiences with, one another. The audience does not simply view a performance, but rather are involved in the narrative of the stage, thereby finding themselves in the double role of viewer and performer in the stage construction.

Examining the role of the creative audience, the installations in Telematic Performance Lab can be seen as reverse scenography - a scenography that makes the audience the main character that actively organizes their own experience of the performance and the world.